What does everyday resistance look like among dominated populations experiencing paternalistic care rather than extraction? Research on everyday resistance emerged from contexts where power extracts surplus from the oppressed. In this scholarship, the backstage is a space where the dominated cultivate hidden transcripts to cope with oppression, while the frontstage, where performances are enacted to those in power, is primary. Inversions of this order, when they occur, are momentary. Using ethnographic fieldwork in two Tanzanian refugee camps, we show that under benevolent oppressionâcontrol justified by paternalistic care rather than extractionâdominated populations respond through âstrategic inversionâ: a reordering of dramaturgical space where the backstage is primary and the frontstage remains tactical. Refugees moved the center of social life backstage, into a thriving underground economy, and kept up frontstage displays of helplessness to shield it. Within this alternative social order, competition and cooperation operated as two routes to heshima (dignity/deference). Competition resisted the uniformity of the refugee label, and cooperation rejected the helplessness it presumed. Refugees sustained this inversion through compliance flooding , rule-following performances so dense that officials could not tell forbidden from permitted activity; embedded enforcement , as guards became accomplices in maintaining the clandestine economy they policed; and collective coordination , where communities maintained alert systems and consistent performances to shield backstage activities. Our analysis extends research on everyday resistance by demonstrating that under benevolent oppression, subordinates actively build and experience empowerment, rather than merely imagining alternative moral orders or experiencing them briefly in bounded rituals.